Brice Miller Interview Part 3

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     After a very long pause I am posting the conclusion to the interview segment of my conversation with Trumpeter/ Bandleader/ Educator, Brice Miller from the Summer of 2013.
     Brice is finishing up a degree, dissertation is complete- so partially I'd like to use this as a congratulatory gesture for his landmark accomplishment.

     (In fact, I also just completed a degree myself so I can get back to these interviews.)

    There are two other, highly recommendable, earlier segments to this interview, of course. 


In Part 3 of this interview Brice touches on the following...

Brass bands in other parts of the United States; the "mythical" Congo Square; the role of formal musical education in the development early jazz artists- Buddy Bolden; brass bands around the world; jazz funerals, 2nd lines, benevolent societies and their roles in solidifying the place of people of color in the city- the taking of it; why brass bands in New Orleans have outlived the traditions in other cities; political needs for brass bands; more on cultural mentorship, cultural capital, social capital; the relation of brass band music to other musics in the city;  Wynton and Branford Marsalis, Nicholas Payton- their start associated with the brass band tradition; being able to speak collectively; Trombone Shorty; the difficulties of talking to music press and their false ideas of what audiences will find interesting; the maligning or ignoring of intellectual sides to musicians in the press; coming out of depression after Katrina; the way that Brice's identity was used and became a caricature after the storm;  going to the University of Alabama; telling the story of real New Orleans music, and the 200 year history of brass bands, honestly; the indignity of the reduction of all narratives of people of color to slavery; the influence of personal understanding of history on personal identity development; final comments- retelling your own stories.

Believe it or not, there is a whole other more conversational and, perhaps more evocative section to this that I will post soon.

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Appearing tonight with The James Singleton Quartet

tonight at chickie wah wah, canal st. (New Orleans)

around 10pm.

james singleton- bass

johnny vidacovich-drums

rex gregory- sax

jonathan freilich- guitar

 

this is one not to miss.

The sagacious, genius, unpredictibilities of James and Johnny. The weighted spritelinesses of Rex Gregory in creative moods. And me somewhere in the amorphous and great unknown- some sort of mid-riff.

 

what I'm driving at here, is killer music!  

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Two shows in New Orleans this week

Solo at The Parlor on St. Claude Ave at 6pm on Wednesday- get your costumes! Music.  Drinks.

Friday Night- with the James Singleton Quartet at Chickie Wah Wah on Canal St at 10pm-

Stunning Lineup-

James Singleton- bass

Johnny Vidacovich-drums

Rex Gregory- sax

jonathan Freilich- guitar

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Please come out.  Overjoyed to be back in town for an extended detour.

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