My old guitar teacher, friend, and brilliant New Orleans musician, Carl Leblanc has just released his brand new recording- Those Who Have Ears. It's available at CD Baby amongst other services and... help out an artist and pick up a copy.
I wrote a string quartet arrangement for one of the pieces on the record and am honored to find out that he wanted to use it on its own for the finale of the record. It's called Hesed if you pick up a copy.
Carl is a great guitarist and all around musician who always comes out with a landscape of musical statements on record that really shows all he can breathe life into for a listener. He has played on some key New Orleans recordings and has played in many of the greatest groups associated with the city including the Dirty Dozen Brass Band and Preservation Hall Jazz Band, Allen Toussaint- (actually the list is so extensive- I'll let you music fans seek out the rest of the bio information). He was also guitarist for the Sun Ra Arkestra for about 9 years and luckily my generous guitar teacher for a long time.
This one is worth checking out and many great musicians were involved...
Jonathan Freilich, Sam Rivers, Jeff Albert, Zeitgeist theater, New Orleans The great Sam Rivers has passed and what a big loss, what a human being, what an improvisor. And really...what do I know? I only got to see him a handful of times but each was better than a delight; it was actually transformative.
The first couple of times that I saw him in person was when he came out to a couple of New Orleans Klezmer All-Stars shows in Orlando, FL. At one of them he was dancing wildly and he made sure to come over and tell us how much he liked it. He was one of my heroes and I felt like i'd been given a fresh, strong, backbone.
When we would go down to Orlando, we were sometimes lucky to see his Rivbea orchestra; a great band- check out some of those hot clips on youtube.
The most important memory of Sam for me, and a number of my comrades in New Orleans, was when he came down to play with the Naked Orchestra. He had some music prepared but there had been a mixup with his management who had incorrectly communicated the Naked Orchestra's instrumentation to him. He felt badly about it and said that he had lots of music for such a project if he'd been told what kind of band it was. He dissolved the rehearsal and said he would have new music for us right before the gig and he did just that; the following evening he had worked up a complete piece for the orchestra. It was a very ear opening piece of music and I wish I had a recording of that evening.
Every time you saw Sam Rivers he exuded a shocking amount of energy and his multi instrumental trio of recent years was also something else to see.
My old friend, David Kunian wrote a poem inspired by the show that night with the Naked Orchestra . Here it is...
SAM RIVERS AND THE NAKED ORCHESTRA 3/8/02 ZEITGEIST THEATRE
Michael Ray is his own delay.
If he were going the speed of light,
Would he hear his instrument in the mirror?
Yeah, Einstein, I’m hearing things, All Right!
Tim Green’s blowing breath through the bass sax
Powering the band like a B-2 bomber.
Sounds like Operation Anaconda creeping
Through the mountains and then a big BOOM
As Eric Lucero’s trumpet and Rob Wagner’s horn
Drop the furious atonal BOMB. Sam the Man Rivers
Writing a new piece like a snake
Sousaphone in the hills, saxophones in the grass.
Mikiel Williams fingering like a snake charmer.
Sam has Hart McKnee adding flute
And interpretive dance stomps.
“Ooops, I brought music for an orchestra,
but not this kind of Orchestra.”
Maybe an Arkestra? A Dressed Orchestra?
Michael Skinkus is the tomato conga.
Matt Perrine on sousaphone is definitely pickles.
Doug Miller no offense slathers on tenor mayo.
Jonathan Froelich’s sharp guitar tones and crazy clusters
Infinite possibility and architecture. Wait until you are relaxed and no-one else is around...then turn it up and expand...there will be an infinity in that 10 minutes.
The following was written after a show on the weekend of Nov.16,2011 in New Orleans.
Somewhere between 1991-2 I was living in an apartment in the house of Klezmer All-Stars accordionist, Glenn Hartman. One night my friend, Ben Ellman, called to say he wanted some help to work out some lines on a cassette tape by a band he was going to do a gig with. At that time, Ben was playing with the Little Rascals Brass band. We had been hanging around some other places besides the golden Treme hotspots of that time- Pepinas, and Lucky's are particularly memorable backdrops, but there were others.
The cassette had a band called Lump on it. I remember thinking immediately that they had come up with some really wild lines. They would play in unison, fast, and the drum sound was really energetic and all over the place, but kept the energy at a fantastically manic level. They would rapidly change into these odd time slow sections and then declaim some really strange sounding stuff that I hadn't worked out yet. Ben mentioned that they were into a lot of interesting creative funk and jazz players (style naming is such a drag) that I also had special affection for- James "Blood" Ulmer etc.
Lump is in the past, yet the excitement, and particular emotional and conscious oulook they portrayed, stick firmly in the heads of those of us that used to see them- often by accident. One of the main features was the singular lyrics that spanned subjects from Deuteronomy to Delfayo Marsalis. Usually the music would suddenly move from the aforementioned instrumental outbreaks into these wild declamations penned by Lou Thevenot.
Going on about Lump is missing the point for some, who feel that you are nowhere without solid experience of some previous work of that band's members...but, I wasn't there. Some of these old, wizened, folks were in the audience at the Mermaid reunion show at Hi-Ho where Norco Lapalco showed up and became the stimulus for this ramble. The band really put those discussions of the past- in the past pretty quickly. In fact, not showing up with Lump (and it was probably requested) was a solid statement in itself, since they had been an early Mermaid Lounge scene staple. Norco Lapalco wasn't even a fleck in a dry imagination at that point in history.
If you are in New Orleans- you need to go out and see this group. Their stuff is really together. It drips authentic experience and Lou has always been a safeguard against pandering bullshit...so you are out of danger...that one anyway. This is really original music and it gets you in a mysterious part of the pelvis that hasn't been much written of in the yards of writing on rhythmic music. It's exciting in as much as it changes direction frequently, rapidly,unexpectedly, and yet the lyrics hang there mysteriously, well heard. (Did I mention the hot lead singer?) These are songs about what is actually happening and that provides a relief from the endless proliferation of solipsistic, escapist, pop-allegoricism that people seem to endlessly want to hang their songwriting clevernesses on. These are, after all, viscerally, fragmenting times and it's sad to see most young musical folks around New Orleans regurgitating music so old that it has no relevance except as a way to pull dimes out of misguided tourists.
This, on the other hand, is a band speaking from their time and place with a writer who doesn't beat around the bush with any of those folksy, saccharine singer/songwriter clevernesses, or cliche rock heroics. He plays guitar in a real interesting way too- as does the other guitarist. These days too many people are trying to play in standardized ways that descend from whomever they think is legit. (Did I mention the singers?-very penetrating...) It's time for more emotional experience. Go get it at a Norco Lapalco show.
This isn't anything but a picture and the piece. Re-posting of youtube videos is a bit cheap.
Two written reviews of concerts are about to pop up so look out for that.
Meantime, this really is worth posting because it is the music of a composer that isn't too widely known. Take a listen- very novel approach and beautiful- and even humorous.
My old guitar teacher, friend, and brilliant New Orleans musician, Carl Leblanc has just released his brand new recording- Those Who Have Ears. It's available at CD Baby amongst other services and... help out an artist and pick up a copy.
